视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。全片按照“家”“国”逻辑构架，用大量的历史再现，还原了杜甫入川、草堂生活的真实场景，并以漂泊西南的经历为主线，真实还原了现实主义诗人杜甫“由凡入圣”的伟大故事，以及在巴蜀的生活细节，探寻了“杜诗”的当代价值，弘扬了中华优秀传统文化。 《草堂杜甫》上集：草堂入梦公元755年，一场浩劫席卷了当时世界上最强大的国家——大唐王朝，随着皇帝李隆基仓皇出逃，唐王朝百年辉煌已成往昔。战火到处，民不聊生，诗人杜甫也被迫加入到躲避战乱、举家逃难的行列中。 《草堂杜甫》下集：山河为纪公元760年春的一个清晨，在刚刚建成不久的茅屋内，杜甫无声而坐，他马上要去进行一次酝酿多时的拜谒，去见一位神交已久的古人。踏着满阶青苔，在一片松柏林中杜甫到达了此行的目的地——三国时期蜀汉丞相诸葛亮的祠堂。这是诗人第一次走进武侯祠，袅袅香火之中，杜甫仿佛穿越了时空。。该片为贺岁片，《圣诞树》的续集。新年前不久鲍里斯失去了记忆，唯一能帮助他的是他手中的《З.Г.》字符。。
